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Heroic Dreams - All Things Medieval

Heroic Dreams - All Things Medieval
The Blog Devoted to All Things Medieval; Weapons, Armor, Knights, Castles, Books and More ———–Never Give a Sword to a Man who can’t Dance - Old Celtic Saying

How to Write a Great Combat Scene – Advice for Fantasy Writers

November 22nd, 2006

A great combat scene is a memorable event in your reader’s life. It is a microcosm of the struggle that is contained in the book itself. And good combat scenes are often dog-eared by readers and returned to over and over again. You can give your reader a great combat experience if you follow a few simple guidelines.
A combat scene is something that may take up only a few minutes of your character’s time but will take up significantly more of your reader’s time. In a combat scene the reader’s sense of time changes and because of this he or she is very sensitive to the details and the flow of the scene. This affords you the opportunity to write something very special that your reader will remember. Here are five tips for writing great combat scenes.
1. Do Your Research - You write fantasy, which means you can write anything you want. After all, it is a genre of imagination with few boundaries. But, today’s fantasy reader is very savvy when it comes to the genre. He or she has access to books, movies, websites and all sorts of sources of information. And this means that he or she probably knows a bit about the weapons, armor, and combat techniques of different cultures and periods. He or she probably knows the difference between a Claymore and a Cutlass. And even though your writing is fantasy it still has to make sense to your reader. Research weapons, armor and combat techniques as they apply to your fantasy writing. This research will not only make your scenes more realistic it will also generate interesting and memorable ideas that you can incorporate into the scenes.

2. Take advantage of the Dilation of Time – A combat scene may take a minute or less in real time but in your writing you have the freedom to expand on this and absorb much more of your readers time. This ability to take up time will make a memorable impression on your reader. Be more descriptive in the motions, thoughts and reactions of the combatants.

3. Writing style and exposition – Above all else you have to pay close attention to the way you write combat scenes. A combat scene is a microcosm of your novel in that it describes something that often involves only a few minutes of action, yet the actual exposition can last several pages and take up quite a bit of your readers time. The most important rule of the actual writing is to avoid passive sentences. The sword was not thrust into your Protagonist’s thigh; your Antagonist thrust it! Remember this rule and always edit your scenes to eliminate all passive sentences. The very nature of a combat scene is that it is active and not passive.

4. Handle Strange Creatures Realistically - When writing a creature into a combat scene whether it be a Troll, Ogre, Goblin, Orc, or any other type of exotic fantasy creature it still must follow the rules of flesh and blood. You probably don’t have a real fantasy creature to model combat motions after but you will have a familiar creature that you can use as a template for motion. Fantasy creatures are almost always distortions of real creatures. Trolls become very large men, Goblins are wiry and quick, and Centaurs follow the template of horses. What you can do is to transfer your thinking about the creature in terms of what it is similar to. How would a horse move in this situation? How would a very large man move in this combat scene? These transferrances of physique work well and make the combat realistic.

5. Give your reader something Extra – In researching and thinking about your combat scenes you will come across some great ideas that will take the scenes to new levels. Here are three examples of what I mean.

  • A Samurai sword is sharp on only one side but was that the only side of the weapon that the Samurai Warrior used? No! The blunt side was also a very effective weapon when the warrior wanted to subdue an enemy without killing or maiming. An observation like this can add a very strong distinction in the scene and can give you an interesting angle to think about and to have your characters think about.
  • Many hand weapons of the medieval period had a spike or metal cap on the bottom end of the handle. This was a very effective means of striking an enemy when the fighting got real close and it became difficult to swing the business end of the weapon. An observation like this can have a dramatic effect on the flow of a fight scene.
  • The Flamberge was a large two-handed weapon that was swung much like a baseball bat but the bottom portion of the blade was often wrapped in leather so when the fighting got close the wielder could choke up on it and swing it in a tighter and more controlled arc. Adding a detail like this lends a note of authority to the scene.

Just because you are writing fantasy doesn’t mean you can write implausible and over the top fight scenes. Even fantasy worlds have rules of body and weapon to follow. If you know a little bit about weapons, armor and the rules of body motion you can write some truly memorable combat scenes that will give your reader an experience that will be fondly remembered and oft returned to.
Will Kalif is the author of two self-published epic fantasy novels.
You can download free samples of his work at his personal website:
Storm The Castle - Creativity and Fantasy with an edge

 

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Bad News for Hobbit Fans

November 22nd, 2006

The good news is that there is a movie version of The Hobbit coming out. But the bad news is that Peter Jackson won’t be directing it. And this is some really bad news.

NewLine Cinema is going to be doing the hobbit movie and for a  long time Peter Jackson was the man that was going to be directing it but Jackson and the studio have been embattled over a lawsuit and Newline has dropped him from the project. Now they are looking for a new director.

In my opinion Jackson is the only candidate for the job. What other director knows, and loves, Tolkien so well?

It seems that the battle rages over millions of dollars (kind of like a golden ring) Hmmm I wonder if the golden ring in Tollkiens work actually represents greed?

This brings me right back to the real theme of epic fantasy - doing what’s right in the face of adversity. And it’s ironic how writers and filmmakers who make epic fantasy works sometimes themselves stray from the message in the work.

I have written an article called: Having Courage - Why Epic Fantasy Writers don’t take chances - It’s all about having courage in the genre of epic fantasy.

 If you want to know more about the NewLine Cinema - Peter Jackson Squabble you can check it out on the one ring website. (by the by theonering website is probably the best LOTR site there is.

Will

 

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A Look at the Lord of the Rings Swords

November 21st, 2006

One of the beautiful things about the Lord of the Rings is the reverence the stories hold for the weapons. Many of the swords and other weapons have names, histories and a full background. Tolkien truly loved all the details in the world he created. Here is some background and information on the major swords in the Lord of the Rings.

Lord of the Ring Swords

LOTR is often considered to be the greatest epic fantasy story ever told and of course swords play a major role in the story. What swords are there and what do they do? Here is an overview of the swords and links to where you can purchase them and/or learn more.

Here are the major swords in the Lord of the Rings.

Sting Sword - This sword was carried originally by Bilbo Baggins in The Hobbit. Bilbo gave it to Frodo who carried it throughout the lord of the rings. The unique thing about this sword is that it glows when Orcs are near.

Strider Knife (Strider is also known as Aragorn) The Strider knife was formally named “Gûd Daedheloth”. This knife was given to him by Galadriel, the elf queen in Lothlorien to aid him in the dangerous journey ahead.

Legolas Knives - These dual wielding swords have come down from the race of elves and it shows in their softly sweeping curves that harken to the natural world.

Hadhafang Sword This is the elven sword carried by Arwen. It once belonged to the elven princess Idril. Hadhafang in the elven tongue means Throng Cleaver.

Glamdring Sword This is the sword carried by Gandalf. It, like Sting, glows in the presence of an enemy.

Anduril Sword - The sword of Aragorn The inscription down the length of the blade on both sides is in the Tolkien’s language of Quenya, written in the runes of Eregion, that say “Nányë Andúril i né Narsil i macil Elendilo. Lercuvanten i máli Mordórëo”. This translates to “I am Andúril who was Narsil, the sword of Elendil. Let the thralls of Mordor flee me.”

Herugrim This is the sword of King Theoden

Narsil Sword This is the most famous sword in the lord of the rings. It is the sword that was shattered as Elendil fell during the great battle of Sauron. It is also the hilt of this sword that was used to cut the one ring from Sauron’s finger.

Strider Sword This is Aragorn’s sword. It is the sword of a Ranger.

Witchking Sword This is an ancient and evil sword and the one wielded by the leader o fthe nine ringwraiths.

Ringwraith Sword Carried by the Ringwraiths

Uruk Hai Scimitar This is the bizarre scimitar like sword carried by the Uruk-Hai breed of Orcs.
CHECK OUT THE LORD OF THE RINGS BLADE STORE AT AMAZON.COM The Lord of the Rings Knife Store

The lord of the Rings swords are something truly remarkable. If you want to learn even more about these swords I have another more in depth page on my epic fantasy website

Lord of the Rings Swords

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